Yesterday, I put together three poems to submit for a poetry
prize this month. I did so with a
certain kind of rueful amusement, as if a part of me didn’t believe that anyone
but myself could ever enjoy my poetry.
I’m proud of all three poems, and I think they’re well-written, but
something tells me that no one else would ever agree. When it comes to poetry, I’m braced for the
careful, stiff compliments that people give when they’re trying to be kind
about something that’s awful.
I’ve been
writing poetry for years. In my rambling
journals, which I began when I was thirteen, a poem appears on the very first
page—that is, if one can call it a poem.
But for me, poetry is not so much an art form as a way of thinking out
loud, of playing with words as I put them on paper. It’s also intensely personal, as I usually
found the easiest way to deal with strong emotion was to write about it, and
poetry made it more palatable for me.
When I got
to Hollins, I was surprised and a little skeptical about the idea of submitting
poetry for criticism in my writing classes.
As if poetry were serious writing!
Of course, I understand that as literature, it is very serious indeed—how
could I not, with Yeats, Shakespeare, Frost, Oliver, Neruda, and so many others
playing a vital role in my education?
But my poems were nothing,
tidbits of words and thought cobbled together like a child’s collage. They weren't for sharing.
I’ve slowly
changed my tune over the years, but still I don’t give my poems the attention
that I give to my novels and my short stories.
I think I’m a better poet than most people on the street, sure, but once
I enter the honored company of true poets, I lower my head and step into the
corner. My father always says the
operative question of life is “compared to what?” And in comparison with the work of my peers,
I don’t have any good things to say about my own poems.
I realize
now, though, my own outlook is most likely what holds me back. Who can take me seriously if I do not? No one is ever going to take me by the
throat, give me a good shake, and shout into my eyes, “If it’s so bad, then make it better, you idiot!” So here I am, submitting my poetry to the
same editing and revisions that I give to my longer works, and even more nerve-tingling,
actually sending it off to be judged by others.
Who knows? Maybe I am my own
worst critic, and maybe when it comes to poetry, I know more that I think I
do. It would be a fitting irony if that
were the case, don’t you think?
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