I was talking to a friend today, catching up over
lunch. She asked me how my writing was
going, as most of my friends do. I wasn’t
quite sure how to answer. Yes, I have
been writing, quite a bit, lately. The
problem is I haven’t been working on anything of my own. My current project is a spinoff of a show I’ve
been watching lately. It’s less
fanfiction than my personal continuation from the end of the series. I’ve enjoyed working on it very much, but
maybe it’s not what I should be spending my time on.
Then
again, I do tend to get caught by stories.
Be it a book or a show or one of my own ideas, good stories get into my
head, and until I’ve found a way to resolve the story somehow, at least
temporarily, I can’t stop thinking about it.
I’ve spent many a day at work only half-focused on what I am doing,
while the rest of my mind guides characters and events along the most logical
path.
In
fact, I think that is what a story is supposed to do. Think about the language we writers use when
talking about stories. They talk about a
‘hook’ at the beginning, to lure the reader in as it were. I think of myself as being ensnared, stuck in
the story as if I’m in a trap. It’s
never a bad thing, but it can be inconvenient.
How
do I get out? The easiest way is just to
finish the story, of course. Sometimes I’ll
spend hours at a time reading just so I can get through—with television shows,
it can take days. When that’s not an
option, as with a book series which is not complete yet, or a show between
seasons, I have to fully outline what I would
do with the story if I were to continue writing. This is always good fun, but it can have a
downside: if the story comes back, and it’s not as good (in my opinion) as what
I come up with, I tend to lose interest.
And of course sometimes a story just stretches out too long. If I feel like the plot has moved past its
natural ending, it loses a part of its hold on me. I might keep up with it for old times’ sake,
but it becomes a toothless trap, one I can slip out of easily.
Despite
the inconvenience, I have to appreciate this need to know what happens, to find
closure for a story. It has brought me
through a lot of very good story, and I have learned by example. It is what has helped me to understand how a
story takes shape and what not to do with one, and it forces me to practice
this on my own. If not for this, I would
never have managed to finish any story of my own. So I think I will keep working on my little
play project, because any day I have spent putting words to paper—no matter
what I am writing—is a good day.